{"id":1426,"date":"2019-09-29T22:25:00","date_gmt":"2019-09-29T19:25:00","guid":{"rendered":"https:\/\/boyanmanchev.net\/blog\/?p=1426"},"modified":"2022-01-14T23:08:55","modified_gmt":"2022-01-14T21:08:55","slug":"dark-poem","status":"publish","type":"post","link":"https:\/\/boyanmanchev.net\/blog\/news\/dark-poem\/","title":{"rendered":"DARK POEM"},"content":{"rendered":"\n
\"Dark
Design: Boyan Manchev and Boryana Pandova. Photography: Boryana Pandova
Typeface: Quasimoda by lettersoup<\/a><\/figcaption><\/figure>\n\n\n\n

DARK POEM<\/h3>\n\n\n\n

Sofia: Metheor, 2020<\/h3>\n\n\n\n

Translated from the Bulgarian by Philip Stoilov<\/p>\n\n\n\n

Photography: Boryana Pandova<\/p>\n\n\n\n

Graphic design: Boyan Manchev, Boryana Pandova and eMetheor<\/p>\n\n\n\n

36 pages, including 14 black and white Photos<\/p>\n\n\n\n

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Boyan Manchev\u2019s theatrical-philosophical poem is organically related to photographs by Boryana Pandova. Dark Poem<\/em> extends Boyan Manchev\u2019s philosophy of body by experimental means, juxtaposing text, image and movement.<\/p>\n\n\n\n

The book is the result of experimental work on staged actions and situations with the participation of the actor Leonid Yovchev and Boyan Manchev, related to Metheor<\/em> \u2019s performance Hijikata and His Double<\/em> (2019). Dark Poem<\/em> is dedicated to Tatsumi Hijikata, the legendary founder of Butoh \u2013 a radical Japanese dance form, which played a crucial part in the history of contemporary performing arts. It was inspired by Butoh-fu [\u821e\u8e0f\u8b5c], an experimental form of notation invented by Hijikata, as well as by Eikoh Hosoe\u2019s photographic series Kamaitachi<\/em>, with the participation of Tatsumi Hijikata (1969).<\/p>\n\n\n\n

Half a century after Hijikata\u2019s scandalous performance Hijikata Tatsumi and the Japanese people <\/em>(1969), Dark Poem <\/em>puts forward the question on the possibility of the (artistic) revolution.<\/p>\n\n\n\n

\u201cTogether with Tatsumi Hijikata, we raise the question of the rebellion of the body. What does body rebellion of the body mean? We are interested in the way the body always exceeds itself. Life always stands out. The body always stands out: in ecstasy and pain, in birth and in death.\u201d <\/p>\n\n\n\n

Boyan Manchev<\/p>\n\n\n\n

New Bodies<\/em><\/strong><\/p>

I, Hijikata Tatsumi, address the people today.
I release my infant warriors. I will not perfrom seppuku, but I will cut off one hundred thousand heads. <\/em><\/p>

No, I will not cut off one hundred thousand heads, but I will assemble one hundred thousand new bodies. An army of excess. New bodies, a new raw titanic race, a race of football players unmarked by an X-spot, a new anatomy, new organs,
a new gender, a new star. <\/em><\/p>

My infant football players, my mud-spattered criminals, we will glue together new bodies with mud and slime and loose veins. We will use the loose tongues of the veins to connect the knee joints, while the heels will pass through the ear canals, we will flow into our own veins in reverse, and the violent wind of the North will ventilate the brain folds in our lungs. This is how bodies dance upside down. This is how the small suns of the atom scatter like new constellations, galaxies, universes in our placenta, in our protein soup, in our boneless cosmos.<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"DARK POEM Sofia: Metheor, 2020 Translated from the Bulgarian by Philip Stoilov Photography: Boryana Pandova Graphic design: Boyan Manchev, Boryana Pandova and eMetheor 36 pages, including 14 black and white Photos Boyan Manchev\u2019s theatrical-philosophical poem is organically related to photographs by Boryana Pandova. Dark Poem extends Boyan Manchev\u2019s philosophy of body by experimental means, juxtaposing text, image… Read more »<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[155],"tags":[],"_links":{"self":[{"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/posts\/1426"}],"collection":[{"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/comments?post=1426"}],"version-history":[{"count":7,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/posts\/1426\/revisions"}],"predecessor-version":[{"id":1447,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/posts\/1426\/revisions\/1447"}],"wp:attachment":[{"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/media?parent=1426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/categories?post=1426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boyanmanchev.net\/blog\/wp-json\/wp\/v2\/tags?post=1426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}